By Deepti Kapoor
A hugely charged fiction debut a couple of younger girl in India, and the affection that either shatters and transforms her
She is twenty, stressed in New Delhi. Her mom has died; her father has left for Singapore.
He is some years older, simply again to India from New York.
When they meet in a café one afternoon, she—lonely, hungry for adventure, craving to damage freed from tradition—casts apart her fears and throws herself headlong right into a love affair, one who takes her the place she hasn't ever been before.
Told in a voice without delay gritty and lyrical, mournful and frank, a nasty personality marks the arriving of an astonishingly proficient new author. it truly is an unforgettable hymn to a deadly, exhilarating urban, and a portrait of hope and its outcomes as undying because it is common.
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Extra resources for A Bad Character: A Novel
It’s starting to fill up inside. All around there’s the stench of cooking, the MSG, the smell of stale carpets, ashtrays, empty glasses, the stickiness of beer on plastic floors, the warm aroma of chicken and noodles and red chilli, the soy and turmeric that comes all the way from the Chinese of Calcutta, the gobi Manchurian that crowns their hard work far from home. The noise is a womb, waiters are shouting to the kitchen, the kitchen is sizzling in white light behind the swing door. On the wall in the corner there’s a cricket match on TV.
And what about you? Tell me. He’s very curious, he wants to know. What was I doing in the café? What was that look on my face? Where had I come from? Where was I about to go? He was watching me a long time before I saw him there. He couldn’t help himself. There was something about me, something different, he knew it immediately, knew he had to speak to me, to know me somehow. I had a rare sort of power in me. Embarrassed, I say I don’t know about that. I came from college, that’s all, I had nowhere else to go but home, and I didn’t want to go home.
I stand outside for an hour or more, unable to bring myself to knock on the door. When other people come by I run away and hide, pretend to be busy with something else. Eventually I escape to the roof. I cannot bear it, can’t explain it either. The agony of being alive, of functioning like a human being. Can you understand this? This is who I am. When I come down from the roof my mother is excited. She wants to know how it was, wants every detail of it. And I lie, I tell her it was wonderful, I had such fun, I made many friends.