By Michele Carter
A behind-the-scenes exploration of the Dungeons & Dragons(R) game.This lavishly illustrated booklet offers roleplaying online game enthusiasts a different, behind-the-curtain glimpse into the making of the Dungeons & Dragons roleplaying video game. The booklet includes essays and asides from the game's greatest designers, builders, and editors. via phrases and illustrations, it explores a number of the D&D game's such a lot iconic races and periods, sharing insights by no means ahead of printed in any past online game product.
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Extra info for Behind the Screen: Races and Classes (Dungeons & Dragons)
Then in August Colin arrived in France with a school friend and we all met in western Brittany. From Brest we visited the island of Ushant, well known to me from the account by Eagle Clarke in his Studies of Bird Migration. On Ushant there were few other visitors and the weather was fine. It was good to wander along the cliffs or bask in the sun in one of the deserted forts. I saw choughs for the first time, handsome red-billed crows which by then were very rare in Britain. The sea was always with you, but far below, and it seemed remote and detached.
Eventually I decided to visit what looks on the map to be one of the loneliest islands in Europe, the little island of Røst at the end of the chain of the Lofotens which stretch out to sea southwest from the northern coast of Norway. I crossed from Newcastle to Bergen and from there went north, travelling on one of the regular mail boats which called at many small settlements on the beautiful coast to Svolvaer in Lofoten. Svolvaer was a small town built of wood on a deep harbour and hedged in by precipitous mountains.
I did not light a fire or cook myself a proper meal, and after an uneasy rest I set out again. It rained, as it had done the whole way up the valley, and mist lay 32 THE BIRD FANCIER low on the surrounding hilltops. The only soul I met was a solitary Lapp going in the opposite direction. Finally I started to climb out of the valley through open moorland to the divide leading to Lake Tornetrask on the other side. The way was marked by stones painted red at intervals of a hundred yards or so, but once I was in the thick mist at the upper levels I lost these marks and could not find them again.