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Extra info for Christina Rossetti: Comprehensive Research and Study Guide (Bloom's Major Poets)

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Third Sunday in Lent,” ll. 49–54) Through the ongoing effect of the incarnation Christ’s presence informs earthly beauty; the duty then falls on the Christian to search for Christ in this world and to attempt to understand the world in terms of Christ and the incarnation. Rossetti notes these following lines that counsel the Christian to look for Christ in everything: “Let not my heart within me burn, / Except in all / Thee discern” (“Evening,” ll. 23–24). For Rossetti, the profoundly spiritual possibilities of symbolism in poetry and nature are enabled by the descendental motion of a God who makes Himself available to humankind, especially through that central Christian event and symbol, the incarnation.

3 I would like to pursue this formative connection further by considering the influence that Tractarian habits of thought had on Rossetti’s conceptions of symbolism and interpretation and by demonstrating how Rossetti’s understanding of symbolism sheds important light on Goblin Market. 4 In addition to this intense incarnationalism, the Tractarians were known for their sacramentalism, a term which refers both to their reverence for the sacraments of the Church and to the broader concept of their awareness of the transcendent as sacramentally and analogically present in the material world and in human life.

8. Gilbert and Gubar, p. 570; see also pp. 122–126, 134–137, 171–180, 289–291, 381, 382, 545, 558–559, and Mary Poovey, The Proper Lady and the Woman Writer: Ideology As Style in the Writings of Mary Wollstonecraft, Mary Shelley, and Jane Austen (Chicago, 1984), pp. 3–47. 9. For discussion of the futility of such evasions see: Sigmund Freud, “The Uncanny,” in The Standard Edition of the Complete Psychological Works of Sigmund Freud (London, 1953–74), 17:219–252; Jacques Derrida, “The Law of Genres,” Glyph 7 (1980): 202–232; and Michel Foucault, History of Sexuality (New York, 1980), 1:1–50.

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