By David R. Roediger
David R. Roediger's robust ebook argues that during its political workings, its distribution of benefits, and its unstated assumptions, the U.S. is a "still white" state. Race is decidedly no longer over. The severe graphics of up to date icons that lead off the book--Rush Limbaugh, invoice Clinton, O.J. Simpson, and Rudolph Giuliani--insist that continuities in white strength and white identification are top understood by way of putting the new prior in ancient context. Roediger illuminates that background in an incisive critique of the present scholarship on whiteness and an account of race-transcending radicalism exemplified through vanguards akin to W.E.B. Du Bois and John Brown. He exhibits that, for all of its endurance, white supremacy within the usa has consistently been a pursuit instead of a accomplished venture, that divisions between whites have mattered enormously, and that "nonwhite" possible choices have profoundly challenged the prestige quo.Colored White purposes that, simply because race is an issue of tradition and politics, racial oppression aren't solved by means of intermarriage or demographic shifts, yet fairly by way of political struggles that remodel the which means of race--especially its hyperlinks to social and monetary inequality. This landmark paintings considers the ways in which alterations in immigration styles, the exertions strength, pop culture, and social activities make it possible--though faraway from inevitable--that the USA may triumph over white supremacy within the twenty-first century. Roediger's transparent, full of life prose and his awesome command of the literature make this essentially the most unique and generative contributions to the research of race and ethnicity within the usa in lots of a long time.
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Extra info for Colored White: Transcending the Racial Past (American Crossroads, 10)
For their deft balancing of “choice” and “coercion” in the process through which immigrants whitened, for their sure sense of racial learning among immigrants as a great drama and tragedy, and for their seminal influence on recent writings on whiteness and immigration, James Baldwin’s The Price of the Ticket and his “On Being ‘White’. . and Other Lies” deserve specific mention. Outstanding among the recent historical works following the trail Baldwin blazed are those by Robert Orsi, Karen Brodkin, Michael Rogin, and Noel Ignatiev.
The Pursuit of Happiness,” the section’s third essay, considers the preCivil War United States, avowedly a “white man’s country,” as a nation in which white identity was shaped not only by slavery but also by relationships with and images of Native Americans and many other “notwhite” peoples. The fourth essay considers the racial position of eastern and southern European immigrants in the late nineteenth and early twentieth centuries, finding it to lie “inbetween” full whiteness and the fiercer oppressions inflicted on people of color.
B. Du Bois initiated specific historical discussion of the “white worker” and of why the 22 STI LL WH ITE adjective so often received stronger accent than the noun in the identity of this group. 42 The painful, uneven ways in which immigrants from European groups were historically seen as racially different and even as less-thanfully-white have long occupied the attention of writers of color. For their deft balancing of “choice” and “coercion” in the process through which immigrants whitened, for their sure sense of racial learning among immigrants as a great drama and tragedy, and for their seminal influence on recent writings on whiteness and immigration, James Baldwin’s The Price of the Ticket and his “On Being ‘White’.