By L. Grossberg
Cultural stories is a world magazine devoted to exploring the relationships among cultural practices and way of life, fiscal kinfolk, the cloth international, the kingdom, and historic forces and contexts.
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Additional resources for Cultural Studies Vol 09-01
I wanted to finish here with the image with which I began. There is a whakatauki (proverb) that talks about the harakeke plant12: Hutia te rito o te harakeke kei hea koe e te komako e ko ki mai ki ahau he aha te mea nui maku e ki atu he tangata, he tangata, he tangata If the centre shoot of the flax is pulled out the flax will die, leaving no place for the bellbird to sing. If I was to ask what was the most important thing? I will answer: it’s people, it’s people, it’s people The life of the tupuna who spoke these words was threatened.
And there was the very name Goldie—also in gold—conveniently lending itself to the accentuation, by association, of high status and the mystique of the ‘Great Artist’, who had, through his creative acts, contributed so much to the ‘national heritage’. However, the construction of this image of Goldie, of the artist and of his work, depended on several significant exclusions from, or alterations to, the historical record, or minimizations of aspects of the paintings that were in fact central to their original contexts of production and use.
1969) Politics of the New Zealand Maori: Protest and Cooperation, 1891–1909, Seattle and London: University of Washington Press. Wood, Christopher (1978) Dictionary of Victorian Painters, Woodbridge, Suffolk: Antique Collectors Club. Zambucka, Kristin (1971) Faces from the Past: The Dignity of Maori Age, Wellington: Reed. THE PRACTICE OF TRIBALISM IN POSTCOLONIAL NEW ZEALAND ANN SULLIVAN Introduction Tribal government was governing in New Zealand before the Pakeha (European) arrived, before Columbus supposedly discovered America in 1492 and before the great ‘British Empire’ colonized much of Africa, Asia and the Pacific.